Tracing Trans Years: 6 Years on T

Six years ago today I started taking T. In my moments of reflection on this date, certain things stand out to me. The anxiety leading up to the day, the sleepless night before, driving to the doctor in my best friend’s beat up car… the face of the nurse when she refused my care… crying in the empty waiting room. I was 22. Four months before that I had called the doctor, introducing myself through a thorough history of trans pathologization and why I deserved transitional health care without a gender identity disorder diagnosis or mandated therapy. After sitting through the typical barrage of trans questions asking how I “knew,” when did I know, and why, if I really wans trans, I wasn’t what they expected, I got my script for T. I setup my appointment to get my first shot on the morning of Sept 4th. When the T came in the mail, I left the box unopened, sitting on my dresser, waiting… It was like a creature there to save me, or to destroy me, or both. It was the egg of my body’s phoenix.

I watched the nurse’s face as she spoke awkwardly, “Actually, the doctor said we aren’t going to do this today…”

I don’t know what came over me. Maybe it was the breaking stress from the build up, maybe it was crushing disappointment, maybe it was my exhaustion after a night awake crying and writing… I broke down and cried right in front of her. As soon as I could speak I said, “I want to talk to my doctor.”

“She isn’t here….”

“Where is she? This appointment has been set for a month. Why didn’t anyone tell me this was going to happen? Get my doctor on the phone.” I said, “I want to talk to my doctor.”

I paced the grey nurse’s break room, clutching the plastic hospital phone. My exhausted despair had given way to my primary defense mechanism: anger. I was ready to fight. “You’re my doctor.” I said, “You’re supposed to help me. I told you I wasn’t going to do therapy. I don’t need therapy because I’m trans. I know who I am and I’m not going to pay some uneducated “professional” $200 an hour to tell me why I’m not normal.”

The doctor’s voice was diffident and anxious. I still remember the sound of her voice as she tried to placate me, saying how GID therapy was for the good of trans people and that she was trying to help me.  “I don’t want help if it means giving up what I know is right for me.” I said, “I can’t walk around fighting a system that I’m feeding into. I can’t do it and it isn’t fair for you to ask me to do it. This isn’t fair.” I’ll never forget the insulted shock I felt as I heard the doctor say, “Well, maybe you can just not tell anyone…” I gathered myself and said, “What kind of health care is this? You want me to be forced into therapy I don’t need, and now you’re telling my to lie about it – to lie to all my friends, my family, and the people I work to help… I don’t think you understand what you are doing here.”

“I’m trying to keep you safe…”

“Safe? You do know I have this T in my hand right now and I could just go out into the parking lot and shoot up, with no guarantee I’m doing it safely or properly. I’m here, in a doctor’s office, looking for support and education on how to care for myself properly and you are turning me away. I want you to know that if I end up at risk, it is because of you and your inability to rise above the outdated notions you were taught that trans people are mentally unfit. I can respect your professional boundaries, but I can’t respect any institution that would rather put a person at risk than bend to the idea that it might be wrong.”

Obviously, since I am writing this post six years later, I got my shot that day. With the support of friends, and a little help from some bodybuilding websites, I took my first shot. Like most people in the trans* community, I learned as I went and took what I could get. I was privileged to have had access to T in the first place; to have been able to save up money from my shit job to afford it; to have access to a computer where I could get reliable medical information; to have a community of friends who were there for me when I felt like I had no one else. With all that happened, I was pretty lucky. I consider myself lucky to have had it better than a lot of our people, especially those who are affected by racism, poverty, globalization… the list goes on.

I was looking through my pictures to find the quintessential pre/post photos that I (and almost every trans* person) loves to put in their blogs. Instead, I found one of my absolute favorite pictures of me ever. It is from when I was 17, on a high school photography club trip to Red River Gorge hiking the Natural Bridge trail. My disability made it so I couldn’t take the trail as fast as everyone else, it made me feel weak. I didn’t have a lot of friends and I was afraid of socializing with the other kids cause they tended to tease me, so I hung in the back of the group near my teacher, Mr. Ferguson. I remember walking the steep trail, looking up at the trees, and just feeling the energy of the forest. I remember feeling very alone, but it is hard to feel too along when you are in the woods.  I sat in a shady spot near the top of the bridge; I changed my roll of film and got out the same lunch I eat every time I travel: PB&J sandwich and an apple. I watched the other kids goofing off and talking a few yards from me; I felt invisible, but in a mix of positive and negative ways. The leaves were changing. I enjoyed the silence and the view. Mr. Ferguson’s voice broke my thoughts, “Hey, Alice,” he gestured with his wide, closed palm arm wave,  “Come over here. I’ll take your picture.”

JAC2001

Two weeks ago, I walked that trail again. I looked up at the trees and felt the energy of the forest. I still took it slow, climbing the rocks and roots behind the others, but I had some fast moving company: a 17 year old I’ve had the pleasure working with for a couple years now. He goes to the same high school I did, and is in a lot of the same clubs, but unlike my high school self, he is out as trans*. I didn’t even know what trans* was when I was that age. I see a lot of myself when I see him, but he’s much more impressive. He was much more animated on the trail that I was 12 years ago; he was excited to be with trans* community, racing up the path with other transboys, climbing on everything in sight (much to my anxiety’s displeasure).  I hung back and enjoyed the walk and the views. I get so over-saturated with work now days… or really, I’ve been so over-saturated with work ever since I came out. When I came out, I took to trans* activism and never looked back. Sometimes that meant I didn’t stop to look around either. If I can take a lesson from the me of 6 years ago, it is to use the same care and attention to my process as I did back then. I used to write a lot more; do more photography; I used to dance more. Looking back, though I was afraid and anxious about making the right or wrong move for myself or my life, I did a lot to keep in touch with who I was and what I was feeling. I’m not one for making resolutions based on some event or special date, but I do like to make clear decisions surrounding change. It is important to keep myself in touch with what progress I need to make. When I was 17, I was afraid of most of the world. When I was 22, I was angry with most of it. I don’t know how much progress I’ve made since 22, lol, but I hope it is at least some. At 29, I am hopeful that I am continuing to improve myself, and to know myself. And I am grateful that I have the ability to live as I do, and work as I do, so that the folks that come after me might not be so anxious, or so angry. So, here’s to the continual fight for trans* liberation and the gift of slowing down to see the journey there.

JAC2013

 

Seeing is Believing; Self-Portraits and Finding Me

I read a quote that really moved me. It said  “self portraits (selfies) are often such an act of self preservation and resistance.” I take a lot of self portraits, and sometimes I catch myself feeling silly about it. I wonder if it makes me vain, or makes me appear narcissistic, and people often tease me about it. Most of the time, I don’t give it a second thought. I really like taking pictures of myself, and I have a good reason for it.

A special note from me: Most the photos in this post have either never been seen by anyone except me, or haven’t been seen by anyone in years. I ask you, the reader, for kind eyes and minds as you view them.

When I was about 14 or 15, my lifelong best friend Jess and I took our photography hobby to a new place. We were late into a sleepover when, either out of boredom or innovation, we dragged out the big black trash bags of dress up clothes from when we were kids. We found the old slips and used prom dresses of our pretend-time past. Jess had the idea to do a photoshoot; she has always been a fountain of empowerment and I was in awe of her ability to own her body. We tried on the old dresses, clothes, slips, and costumes and posed before sheets covering the old furniture and cluttered boxes of my old playroom. No one ever saw the photographs; they were just for us.

Store dressing room shoot, early 2000. I was deeply embarrassed  by this picture because of the cleavage.
Store dressing room shoot, early 2000. I was deeply embarrassed by this picture because of the cleavage.

We did these shoots for years, and occasionally I would spread the practice among some other close friends. It became a passion, an addiction; especially early on, it was the only time I felt pretty. It was the only time I really felt I was what I was supposed to be: a girl. A pretty girl who could look like the other girls; who had a body like the other girls; who was one of the girls. Looking at the photos now, it is funny to see the tame, sometimes blurry shots I thought were so risque, and others where I think “Holy shit, I had no concept for how sexual that pose was!” It was an amazing experience for body empowerment. Jess and I did these bonding shoots all through high school, roaming all over the city documenting our faces, our bodies, and our lives on film. Attics,  bedrooms, parks, cloudy train tracks, mall dressing rooms, big box store aisles; we would try on everything just to see how we looked in it.  When I was 17, I wrote a poem about my intimate relationship with my camera. From what I can remember, I wrote how I wanted to “sit inside the camera lens” so that I could touch the “frozen perfection” that only film could create. I remember chalking the poem on the cement commons of my high school grounds, spiraling around in a giant drawing of a camera lens. I used to have time to create things like that… I was learning to love myself, and my body, by finding ways to portray it through art.

Spring 2002: Night diner adventures with my oldest friend, Jess. I am wearing a 1970s dress and Jess is in a thrifted costume from the Cincinnati ballet. We balanced the camera on a booth across from us.
Spring 2002: Night diner adventures with my oldest friend, Jess. We balanced the camera on a nearby booth and rushed to take the shot before the camera fell. I’m wearing a 1970s party dress and Jess is in a thrifted costume from the Cincinnati Ballet. Everyone in the place was staring. This shot, called “Seasoned Salt,” represents so many memories. Jess, you have given me some of the happiest moments of my life. I am free whenever I am with you.

When I went to college I started doing self-portrait shoots on my own. It’d be late at night in my dorm room and I’d have the urge to create something out of myself. It was around that time I formally fell in love with the “pin-up” and found a huge amount of body love and acceptance through doing pin-up inspired shoots.

Freshmen year of college, 2002: My first solo lingerie shoot. For many years I saw this picture as being very representative of what I like about how I looked.
Freshmen year of college, 2002: My first solo lingerie shoot. For many years I saw this picture as the key representation of what I like about how I looked.

I started to like myself more. I started to like how I looked. I began to put pictures of myself up around my apartment, and enjoyed talking pictures with people instead of just of them. Sometimes people would say, “You have a lot of pictures of yourself…” I would feel shy and awkward about it, but I secretly responded “It’s to remind me to like myself.” I wanted to like myself, and I did what I had to do. And though I wasn’t going to fully admit the importance of what I was doing, I was also not going to apologize for it. When I came out, I realized that I once again had no idea what I looked like. I wasn’t sure if I had ever really known. I could recognize my face, my body, my eyes… but I did not know what I looked like. My coming out and transition was extremely painful. My mind’s dissonance of what I was and what I wanted to be, of how I looked and how I imagined myself to look, is a torture I have carried for most of my life. It was not JUST about being trans, or of being a boy or a girl, of having a body part, or not having one. It was, and is, the issue of knowing who and what I am for the sake of knowing myself. Coming out as trans was a new avenue of self understanding that brought many things I had never understood to the surface… and it was excruciating.

February 2007: The "Nudes Shoot" was a five hour portrait shoot that became foundational to my trans* self portraits. It was spurred by my decision to start T. The photos discuss my feelings about my body and the "trans requirements" of it as well as to document my body before the effects of hormones.
February 2007: The “Nudes Shoot” was a five hour portrait shoot that was foundational to  how I approach my trans* self portraits. It was spurred by my decision to start T. The photos discuss my feelings about my body (and the “trans requirements” of it) as well as document my body before the effects of hormones.When I did this shoot, I had been out for year, and hadn’t done a portrait in almost as long. It made me feel like myself again. It brought me home to myself. 

I have never been the type of trans* person who wanted something specific for my body. I have gone through times where I thought I might want something in particular; a flat chest, and angular body, a taller frame, a more muscular physique, but over all I could never decide exactly what I was going for. Masculine, feminine, man, woman; this language can be useful at times but I have found that all of it is secondary to the understanding of my own humanness. When I was 18, and newly discovering femininity and “womanhood,” I learned to like the body I had. Over several years I began to own the breasts, hips, legs, waist, and overall form I had. I then went from owning my body, to loving it. When I came out, I was told that I had to change it, and even destroy it. I’ve always been more about creation than destruction. It is why I am an artist. I approach life and art the same way, and I’ve always wanted to be better at both. I went to art school once, for photography and sculpture, but dropped out within a year. I wanted the freedom to make my art whatever I felt it needed to be without someone else telling me it was good or not.  My favorite sculpture medium is clay because of its ability to take shape as anything. Throughout my childhood and adolescence, I would spend hours creating forms, primarily of the female body. They seemed so real I felt I was the clay. A couple years ago I wrote a song called “Clay.” It was primarily about my muscular disability and the feelings of powerlessness that comes with it, but as it developed I feel it became a combination piece of how I felt about transforming my body in general. When I started to take testosterone, I approached my body like clay. I realized that my body is malleable,  fluid, and moving. My body is mine. I do not have to fit my body because I can make it fit me. I am the sculptor of my own shape. I do not have to destroy it to change it, I do not have to change it to own it, but I have the option and I can own the changes I make.

 December, 2007: In my bedroom, four months on T. This shot encompassed the exact image of masculinity I wanted to embody.
December, 2007: In my bedroom, four months on T. This shot encompassed the exact image of masculinity I wanted to embody. This shoot grounded me in an otherwise empty and confusing space.
 July, 2008: Newly pink-haired, the "Fuschia Shoot" was a turning point for my self-portrayal as a genderqueer body, though I would not come to think of it in that language until several years later.
July, 2008: Newly pink-haired, the “Fuschia Shoot” was a turning point for my self-portrayal as a genderqueer body, though I would not come to think of it in that language until several years later.

This Sunday marked my 7 year anniversary of coming out as trans (or my transiversary, as I like to say). Several friends asked me “Does it feel like it has been that long?” to which I answered “It feels like it was just yesterday, at the same time, it feels like it’s always been this way.” This isn’t about me having it all figured out or that my journey with gender is “over.” Quite the opposite, actually. I spent most of this past year feeling like I was coming out all over again (but that’s a whole other blog post). The difference, I suppose, is how I have been addressing the process. The concept of processing gender, though no less painful, has become somewhat normalized to me. It’s like when you’re a teenager first experiencing heartbreak you have no idea what to do or how to help yourself, but when you’re an adult you’ve been there so you already know what to do. You can say to yourself: “Yeah, I recognize this shit. It hurts but it’ll be over soon enough.”

 December, 2008: When I did the "Watermelon Shoot" I didn't have the insight to recognize what I was processing. which was inner conflicts with sexuality (and gender). At this time, I had emotionally isolated myself, creating terrible heartbreak for me and my (incredible) partner at the time. This shot, and the emotion expressed in it, was captured accidentally. This also accounts for the skewed angle catching the framed pictures of myself and friends at a simpler (and more butch) time in my life.
December, 2008: The “Watermelon Shoot” was about seeking sexual power. This shot was captured accidentally in between poses, which makes it even more significant. My expression reflects the exhaustion I was feeling towards my inner conflict with sexuality (and gender). Trapped in an emotional ice age, I isolated myself causing terrible heartbreak for me and my partner at the time. The shot also conveniently includes framed pictures of me with friends at a simpler (and more butch) time in my life. I dedicate this rediscovered piece of myself to you, Jackie. Thank you for all you went through for me and for being one of the best friends I could ever dream to have.

My transition was a pivotal time for me, but after seven years its significance (in some ways) seems to fade and blur into the rest of my life. What is left is just being me; thinking about it, working on it, and noticing that some of it happens to be labeled as genderqueer/trans. And as “trans issues” fade into the paint, I am left looking at the walls, my walls, that I built a long, long time ago… I might have even been born with them. Walls are not always bad; Walls are needed to protect and manage our inner selves, but they can trap us. Walls, and the need to hide behind them, is so easily enmeshed into the trans experience. For a while, the main reason I was hiding was greatly connected to all the shit that comes with being trans. What I think I lost sight of was that being trans wasn’t my only reason for hiding. I have spent so much of my life hating myself. I have spent so much of my life hiding. In hiding I have found ways to love myself more and protect my self better. Because of hiding I have spent so much time fighting… All of these feelings have been carved into my walls, and as I read the writing on them I have discovered that I am flat out afraid of showing myself to anyone, sometimes even myself. When I do a self portrait, I am facing myself. I am reminding myself that I am ok. By showing these portraits in this post, I am making the decision to face the world.

A couple years ago Kate (Bornstein) and I were goofing off taking selfies, one after another. She laughed and said “We trans people fucking love pictures of ourselves. We can’t get enough!” I smiled and clicked the shutter on the camera, thinking of how right she was. Like anyone, trans* folks work really hard to be ourselves, and we work really hard to look like ourselves. Many of us hide from our own image, sometimes we don’t even know it. I have never been a stranger to the mirror. Throughout my life, I have spent a lot of time looking at myself, especially as a child, because I was trying to learn what I looked like. I would stare deep into the mirror hoping that the image of my eye would swallow me into an Alice in Wonderland hole, dropping me into my mind so that I could see who I was face to face. I would often comb my hair to the side, like my dad does his hair (and ironically similar to how I do my hair right now). I remember  one time, combing my hair over and looking deep in the mirror; for a split second I felt like I saw something real. It scared me so much I jumped off the sink, mussed up my hair, and started pacing the bathroom floor in a panic. I must have been about 12; I remember  writing about it in a prose series I wrote to myself called “Dear Jim.” The poem started with “I saw you today.” I am continually trying to re-capture the image I saw back then. Over the years, I have gotten better and better at it. The result has been more and more pictures of me. The statement “self portraits (selfies) are often such an act of self preservation and resistance” says more to me than I can really describe. It speaks to the mes of the past, standing alone with a camera, trying to capture my insides in the shape of my outside. I still love to do photoshoots. Every now and then, I’ll spend a few hours finding some form of temporary, personal perfection in my body. In the split second it takes the shutter to engage, I can see myself, and I am real. It is an act of resistance against a world that would rather see me erased. It is an act of self preservation to remind me that I am alive and that I am human. No one ever sees these photographs. They are just for me… and now some are for you.

March, 2012: This shot, called "Bubblegum," is out of the "Suicide Boy" shoot which was very significant in the processing my genderqueer identity and femme body. This was a shoot that healed me.
March, 2012: This shot, called “Bubblegum,” is out of the “Suicide Boy” shoot which was very significant in the processing my genderqueer identity and femme body. I was heartbroken. This shoot helped heal me.

If you find yourself feeling alone; if you are suffering, please know that you are not the only one. I am like you and I promise to try to show that more. There is no shame in hiding, it is something we all need to do sometimes… sometimes for a long while. Take your time. I hope that me taking this tiny step out of my hiding place will encourage you to feel safer in yours, and maybe help you take a step out too someday. I am grateful to all who have been there for me, helping me come out, or stay in: My amazing parents, my beloved sister (and new brother), Jess, Alex, Al, my family and chosen family, my friends, my mentors, my people, and my kitties too. Thank you.

Tonight! The Black Mondays Celebrate 5 Years!

Tonight my troupe, The Black Mondays, are celebrating our 5 year anniversary. Can’t believe it’s really been 5 years, but then, time flies when you’re having fun.

Sucio Sanchez and I, our first show on the road in 2006.  Sucio is retiring tonight….

[image description: two young drag performers, one femme black hair and brown eyes wearing in a polka-dot dress and smiling into the audience  – one masculine, Midwest GenderQueer with brown hair is looking down and smiling, wearing in a white shirt, black tie, and suspenders, dancing together]

Rama Lama, what became our signature number for years, if not still to this day. (I’m the blonde in the pink shirt on the left, lol)

[image description: performers in brightly colored skirts and shirts folded around an androgynous figure in a tuxedo jacket and top hat]

Finally started getting political onstage: Bad Romance was my  first “trans” piece, and a real break out for me as a performer. I couldn’t have gotten the courage to do it without them.
[image description: androgynous performer – Midwest GenderQueer with pink hair in a costume made of a yellow caution tape top, poofy bubble wrap skirt, and gold heels. To the right, a figure in a black mask and business attire – white shirt, black skirt, and black tie.]

Here’s to 5 more years, friends. <3


 

Trans and The Rest of My Life

I looked out over the Wisconsin lake. I’d been on the road touring almost two weeks, my batteries were running low, but in the best way.  She asked me about when I came out. I thought about it casually, “Well, its been four years…” I stopped, “wait… six… no, I mean five…” I thought about what day it was and wondered where I’d been. February had come and gone, along with a date I thought I’d never forget. February 17th, my “transiversary” as I like to call it. The day I officially mark my coming out, even though by that time  I’d been “working” on things for months, years. I use February 17th as the marker because of my state of mind then and what I was working out.

Back then I dedicatedly kept a journal. Every year I look back, and every year I see different things. Its like watching a movie over and over, you always catch some new thing you hadn’t noticed before. Every year I look back and whatever relates to my life at that time is what stands out. Last year was all about love and gratitude; reflecting on my history through realizations and gradual empowerment. This year, I am influenced especially by the fact that I forgot my Transiversary; I knew it was coming up but so much was going on with tour planning, documentary filming, performances, show production, drag practices, conferences… It just slipped passed me. I wondered at how it happened. Maybe I’ve finally reached a place in life where the absolute fact that I’m TRANS isn’t as prominent as it used to be, like I’m used to it now… Maybe I just haven’t kept an eye on myself as well as I should. This year has been amazing for me. I’ve been working non-stop; I’ve been on the road, enveloped in being an activist and a performer in ways I’ve never been able to do before. And I’ve been surrounded by the outside world more frequently and more intensely that I’ve ever experienced. To me, the “real world” means bouncing up, down, and around gender. What bathroom I’m in, what pronoun I’m called, flashing IDs, sirs to mams, mams to sirs – all rapid fire from airport, to gas station, to train car, to university, to theater, and back. I play ‘woman’ when I think its safest, I play ‘man’ when I think I can get away with it, and in between I’m just me; your average, flaming genderqueer femme transguy, genderfucked from head to toe.

This year when I look back on when I was coming out as trans, I see the identity-focused back and forth that forged the foundation for where I am now. When I started to come out I didn’t know anything about gender or queerness. I didn’t know anyone gay, I didn’t even know if I was gay. I didn’t know what I was…

January 27th, 2006: I wrote about coming out to my sister as “Bi-sexual.”  I have no idea why I spelled it like that (or capitalized it). Maybe it was from quasi-reading outdated text books and off the path internet forums. Shows how foreign it all was to me… guess being in that GSA in high school didn’t really prepare me for anything.

“I walk around and have to remember how other people see me is not how I see myself. That I cannot act how i feel because to them, I am a woman. If i say “I’m a gay man.” I don’t think they will be happy. I worry gay guys will look down on me because i don’t belong with them. I can’t claim to be a lesbian because I am not a lesbian. …I feel like a guy inside.”

January 30th, 2006

“I’m just sick of being different from people, but I don’t want to change…”

Febuary 11th, 2006

“Am I my clothes? …it’s almost like my skin is dress up… Fuck it all, i’m finally gonna be something that I feel like i should be.”

Taken February 14th, 2006: The first picture I took of myself in men’s clothes after starting to come out. I didn’t own a tie, so I used a belt from a sweater jacket.

[image description: young JAC in a white collared shirt and knit hat that covers his hair with a knit belt tied like a tie around his neck. His eyes are brown, his face is rounded and young-looking]

Febuary 16th, 2006

“everything i have is purple or pretty or some shit like that. i do like my stuffed animals… alot. Fuck, this whole color scheme is all society, who says a guy can’t have a purple robe. why do i feel i have to be everything? can’t i be some bothness, like girly_boi… guess it’s how i’ve always been. I’ve always been ‘both’ and i can’t be anything else so i need to accept the constant change.”

By February 17th, 2006, the day I now use to mark my Transiversary, I had started to use the word queer in my regular vocabulary. By March I had started to use the men’s bathroom, had passed as male three times, and had fully gained a new “queer” lexicon. I have to laugh and think its kinda cute how I sorted out the labels.

March 1st, 2006:

“i’ve got a new description for myself.  I’ve been reading up on it for a while.  Like, what am I?

Straight. – “Yeah, that’s probably me.  It must be, right?” Bisexual. – “You know, I think that’s really me.” Pansexual. – “Yeah, that sounds much more like me.” Genderqueer. – “Wow, that actually fits.” Polygendered. –  “That fits even better.” FTM. – “That sounds like me.” Transgendered. – “Sounds a fuck of a lot like me.   Me to a T.”  (HAHA trans pun, total accident.)

So I’m a female [sex], pansexual, genderqueer, polygendered, transman.  Fuck, how about I just say ‘Queer?'”

I remember that day. Its funny because first, all those labels meant the same thing to me then as they do now. I think at the time I used genderqueer more to describe my non-binary gender identity, rather than now where I use it primarily to describe my non-binary gender expression/existence. And though I identified as non-binary and polygender, its curious that I used the word “transman,” a label I never apply to myself now because for whatever reason, it doesn’t fit me; I say transguy exclusively.  Really, I don’t remember ever calling myself a “transman,” so maybe it was just for the sake of print and definition. I cycled through a lot of labels for myself back then, a lot of names, a lot of identities – all within a couple months. Back then I used all those words to try and gain some validation, some explanation for what I was and why. In that same post was a quote from a trans activist. I remember clinging to it for months:

“What helped me a lot was to stop asking ‘What am I?’ and to start asking instead ‘What changes do I need to make to be a happier person?'” -C.Jacob Hale

March 7th, 2006:

“I still feel like there really is something wrong with me… Normal is over rated… probably.”

February 19th, 2007: (one year later)

“This year I have been so at peace with my gender ‘situation’ and my life… It is the dream-life I always wanted, which a few deviations… Because of the relationships I’ve had [I wouldn’t change it] even if it meant avoiding the frustration and difficulty of this life.”

“This life.” I keep going back to February 17th as some anchor for “this life” but really, I think that (though I had reasons) I picked that date to give myself a reference point for where I came from. Now, I think I’ve been cutting myself up. Lots of big moments have happened in my life in reference to my gender identity; New Years Eve 2005 when I was dolled up femme but “acted and felt like a boy” all night; six months before that I was dressing “as a guy” at home, and dressing “like a girl” in public; six months before that in the confidence of a close friend I “was a guy for a day”;  six years before that I was signing notes with my “boy name” and secretly wished to be my best friend’s boyfriend; six years before that I begged my parents to cut my hair short like a boy. Which matters more? The day I said, “I am different that I thought.” or when I said “I know what this is.” or when I said “I accept who I am.” All of it had to happen, all of it mattered, and all of it got me to where I am now.  Witness, I am officially limiting the Transiversary status  as a marker date for ornamental purposes only. It will no longer represent a sectional “moment” of my life. Instead, like a birthday, it will be a representative of time passed, and times to come. I used to obsess over knowing myself, what I was, why I was that way, how I was going to handle it, and where I was going to end up. I’m starting to think that not knowing yourself is one of the few things that drives us towards tomorrow. Every time I think I’ve got myself figured out, something new arises. Its not a bad thing. The day I stop learning about who I am and working on who I want to be, I’ll be dead. I used to think time was a factory, producing life bit by bit. Now, I’ve come to know that time is more like the earth, holding us beneath our feet, surrounding us with all that comes from it, and passing over us like the sky hanging over head. We move under it, within it, and over top of it, no sense of control, and no way to be controlled. I think that in this year of being out in the world, I’ve been hiding more than ever before. I’ve been hiding more because unlike the past, I know who and what I am. I know what I want to be, how I want to be seen and treated, and I know I have the right to have it. Still I’ve been hiding; out of fear, out of convenience, out of remorse for being different. I’m not going to try to cut up my life any more and I’m not going to cut up myself either. Whatever that means for bathrooms, I don’t know. The women’s room is still gonna be cleaner, and it’s still gonna be safer. But maybe I need to start pushing the buttons I haven’t wanted to push since I was a high-strung, newly out transguy refusing to take anything less than a “he/him” pronoun and a men’s bathroom… who am I kidding, even at my most militant I was never very aggressive when it came to standing up for myself. I’ve always been better at defending others, so its what I’ve always done and I’ve counted on catching that overflow into my own life. It’s pretty clear what I need to do about that… I need to take ownership over myself and truly recognize that I’m not just a cog in the machine of this movement; I’m a human being within this community.

Five years ago I wrote that this life was a dream, a gift. I still think that, and for the same reasons. It’s the people in life that make it worth living, and while I don’t think I am “living for some else” I don’t think I am living my life just for me. The better I can live my life, the better I can work to make other people’s lives better too.

Last month, my mom dug out an old school paper I wrote about what I wanted to do when I grew up:

February 20th, 1996: (11 years old)

“I will be an artist and a musician… I will obtain my PhD… I will try to go into space where I will discover a solar system and each planet will be named after one of my friends. When I return to Earth I will be the first woman president, if there hasn’t already been one. I will encourage kids to build their self esteem… I will try try to make the world a better place.”

I’m not counting on ever getting a PhD, (no matter how happy it would make my mom). I don’t think I’ll have much luck on discovering a new solar system or obtaining the presidency – first woman or otherwise, but I’ve got the first two down, and I’ll be working hard on the last two for the rest of my life.

The State of T and Me

I started taking T three years ago. I knew it was something I wanted, I was positive, I was prepared, I was terrified.

Me, less than one month before starting T:

[image description: JAC – auburn hair and brown eyes, looking directly into the camera. His shoulders are bare, shirtless and leaning on a white pillow]

This is the only self-portrait shoot I did from before T until two months in. I decided not to photograph myself in any structured way. At the time, I felt enough like a science experiment without documenting myself in mug shots. I did take my measurements – everything from my chest to my wrist. I also recorded my voice. Being a singer my voice was of particular interest to me. I recorded it at every shot for a year, then every 6 months, then every year. Its fascinating listening to my voice then. I remember recording it, but only after playing it back a few times did I notice how nervous I sound and that my voice is shaking.

My voice before T

I remember being excited and sad when I found I was no longer a mezzo soprano, and discovering a tenor falsetto which, funny enough, made me feel really butch. I listened to my voice from a year ago and was pleased to find my voice today is a little deeper. I keep shooting for that baritone, haha, but I don’t think I’m ever gonna get it.

My voice now

I really like what T has done for me. When I started T I told myself I was going to take it until I didn’t want to take it anymore. No pressure, no deadlines, no “goals” (fuck you GID). I knew there was a possibility that my health would deteriorate and if that happened I would deal with it when I came to it. So far, though it has had some not-so-desirable health effects on my disability I find that the price is worth paying. As Kate says, its about doing whatever you have to do to make your life more worth living.

Me, 3 years on T:

[image description: JAC – pink hair and brown eyes, looking directly into the camera with a slight smile.]

I’m very pleased in that I look almost exactly the same. I started taking T in order to look more like I wanted to look, to sound more like I wanted to sound, and that’s exactly what happened. I took my measurements and every one was within one inch of those I took three years ago. Its funny because my body looks very, very different from before which just shows how little change can go a long way. Before I started T I was terrified. I was terrified of my health deteriorating, terrified it would make me go crazy(ier), terrified of being denied health care, yeah that was all in there… But what scared me the most was changing into someone I couldn’t recognize, living in a body I couldn’t imagine as a me I didn’t know. Really its no different than the fear I had as a little kid, dreading getting older because I didn’t want grow up and be someone I didn’t know in a life I couldn’t imagine. Now it all seems so insignificant, now that I know myself better, know my life better. Honestly, I don’t think being trans has much to do with it, I think I’m just getting old and being genderfucked along the way. Is shit perfect? Course not. Sometimes the androgyny pulls on me so hard that I don’t know if I can stand it anymore. I dream of a voice I’ll never get in a body I’ll probably never have dressed in a metro-fashion I’m incapable of affording let alone pulling off. The reality is that yes, I want to be read as male, yes I want to pass, I hate being stared at, I hate being afraid… I hate being different. But this is who and what I am. I lived so long as a lesser version of me either trying to be more femme or more butch than I am, more of a girl or more of a guy than I am, always trying to pass as something other me. And if I’m not going to go all out now, well, what would I be waiting for? For it to get easier, for the world to get better? I don’t have time for that. I don’t think anyone does. This is the only life I have and I figure its good enough for me and if nothing else, I have really fabulous hair.

The Other Men Project

Check out the interesting photography exhibit called The Other Men Project by photographer Ebba Schmid.

“[The Other Men Project] is to force viewers to look these men square in eye, and count them as human.”

JAC Stringer – Photo by Ebba Schmid – The Other Men Project

[image: close up black and white photo of JAC’s face showing only his right ear, right eye, nose and mouth. He is looking off to the side, smiling slightly.]

This picture reminds me of how I still have the exact same face as when I was a kid. It makes it even more curious that people tell me I “look so different” now or how old acquaintances, even old friends, don’t recognize me on the street. They just walk by like they never knew me at all… but I have the same face.

 

VACATION!

See you in August when my vacation from blogging – when I’ll be doing other work that is not blogging so really its not a vacation at all – is over. In the meantime, please enjoy this picture of what i could be doing at this very moment.

[image: Sunny, green grass hilltop with bushes. JAC is jumping in the air excitedly with a vista of Cincinnati, Ohio and the Ohio River in the background. Graphic reads – “I’m off doing awesome shit that you’ll eventually hear about.”]

‘Oh Canada’ for Queers

Just returned from a fantastic journey to Canada for Toronto Pride. I was invited by the awesome troupe the Royal Renegades of Columbus to perform with them and our friends Ceci My Playmate and Her Dollies the  at the festival. It was a ton of fun. I was the EMCEE for the majority of the show which was a special treat. There were so many young people in the audience, it was adorable. That is the best thing about Pride, seeing all the kids and young folks come out, all excited and beaming – before they get bitter and jaded like the rest of us. lol


With the Renegades before the show.

I’ve never been one to go nuts over rainbows and Pride, but I have to admit the way Toronto handles it is an experience. It wasn’t the size alone (with was staggering) that was amazing, but more so the way the city responded to Pride. In Toronto, Pride is treated like any other holiday. Stores in the main shopping drag of the city hung rainbow flags and ‘gay’ themed store displays. Now, I realize that its all corporate consumerism, but even with that it was strange to be so… normalized.  There’s little chance of any mall in Cincinnati having store after store with queer themes. People wouldn’t go to them out of protest, but in Toronto people don’t think twice. The Pride parade was also televised live in full as well as evening coverage; it was even on the weather.

Clothing store near Easton Center, downtown Toronto — Pride on Toronto’s weather

Granted, Canada is arguably one of the most liberal, queer-friendly countries in the world and Toronto is its largest, (and most liberal) city, so talking about how queer friendly it is may seem redundant. Even so, its not something this Midwestern boy is used to. I wonder if it is like San Francisco Pride,or New York, or D.C., but even there I don’t know if Pride is on the weather. I can’t even put my finger on the feelings surrounding it because its something I’ve never experienced on this scale.

I was hoping to see tons of transfolk at Pride, but sadly I didn’t. I missed the Trans March by a day, I guess after the march all the trans folk didn’t want to come out (maybe they were too tired, ba dum ching!) I saw a couple older women, but I couldn’t even spot any folks that could be either lesbians or transguys but you can’t tell. It was surprising and disappointing… I asked around, but to no avail. I’m curious as to what the trans community is like there now. All I could find out was that the guys and gals were pretty separated, and most transmasculine folks seemed to be younger and have ‘different interests’ from the women. Sound familiar? Eh, well, guess I’ll have to go back and look some more.

The visibility and normalization, if you will, of Toronto Pride left me thinking about my own recent experiences with Cincinnati Pride and the controversy of accessibility and inclusion. Toronto seemed to do a good job with family-friendly and youth-specific spaces, as well as safe spaces for various parts of our community including the disabled, trans and gqs, and POCs. There was also a pretty prominent international presence in the parade which was awesome. I am certain that all Prides have their issues, but as a literal foreigner I wasn’t savvy to them. It made me think about the attempts of sanitizing Cincy Pride, and further reiterated my feelings on the issue. From what I could tell from being present in the festival, working with volunteers, and attending events, Toronto’s way of managing Pride was very community run and community focused. There was a surprising lack of corporate ads etc with a plethora of community groups and locally run industry (even the city transportation services were in the parade). Maybe a good idea for Midwest communities would be to have community marches. The Toronto Dyke March grossed 200,000 – which I learned from the news coverage about it. Of course, a big place like Toronto has the resources and people power for such a thing which stresses how a city with low community resources can raise all the money it wants for pride, but without a supported people all you’ll end up with is a shell of a festival with low representation and even lower involvement.

As for an update on Cincinnati Pride workings, there isn’t much of one. After a brief period of motion and success the opposition seems to be stonewalling us, so we must push on and keep up the work until some sort of resolution and be accomplished. Maybe one day Cincy pride can manage something like Toronto (to scale) but we haven’t gotten there yet.

Pride; A Dissection

Columbus Pride was this past weekend- one of the largest prides in the Midwest. To start out the weekend I semi-butched it up with the troupe at the Royal Renegades’ annual pride drag show at Wall Street.

With fellow Black Mondays performing at the Royal Renegades Pride show, Columbus, Ohio

[image: four drag king performers looking at the camera, all dressed in white shirts with black coats, looking cool]

The show was a fantastic time, but it reminded me how different Pride – and its spaces, scenes, and people are compared to every other time of year. Maybe folks think of Pride as a way to give a dose of gayness to the rest of the world, to remind them we are here. But out of sight, out of mind. Maybe its just me airing my activist baggage, but I can’t help but get angry during Pride. I look around and see people so excited to be queer, having all this “pride” but try to get a thousand volunteers for something in October, or get people out for an event in February, good-fucking-luck. Its like Queer Pride is seasonal or as needed. What good is a parade to promote community visibility if afterward the majority of the community disappears again, back to their homes to hibernate until next year when its again time to wear rainbows and get drunk in public?

Pride is great because it is like we own the world for a day, all the communities that make up the mass that is greater queer community out and about. But it doesn’t last. The next day and I went in search of brunch (naturally, queers love brunch), but I was afraid to go anywhere. Once again I was thrust back into being aware of my outcast standing. As things are now, pride is the one opportunity I have to be in my own state, my own local community, and not stick out like a nail waiting to get hit. I like pride for that reason, its an opportunity to relax and feel like I’m in a visible community that understands me… but I’m still not. Just like every year, I met several people who didn’t know what I was and when I told them I was a transguy they didn’t know what the hell I was talking about. Its hard to feel included when people still don’t think I even exist. I don’t bother explaining because I think that of all days, I should not have to be an educator at Pride. I just want to have fun too. When I express my impatience, I’m seen as hateful or irrational. I’m supposed to support organizations that are taking their time on trans education. I’m supposed to be proud of a queer community that still doesn’t recognize me. I’m supposed to think its great that our parade is reduced to corporate shills and advertisements instead of education and action.

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Ableism, Access, and Gender Identity Disorder

This past weekend I was invited to be a speaker on the Philadelphia Trans-Health Conference’s plenary panel “Five on Five: Winning The Removal of GID from the DSM-5.”

[image description  – panelists standing in a line smiling] Panel: Kylar Broadus Esq, Jamie Grant, Dr. Becky Allison, Rabbi Levi Alter, Dr. Moonhawk River Stone , JAC Stringer

The panel was interesting, but with the conversations I could guess where the Q & A was gonna go. One topic was, deservedly, a focus: Trans vs. Crazy. Possibly the most common argument against Gender Identity Disorder (GID) is that trans people aren’t “crazy” so we shouldn’t be listed with mental health conditions. Its a simple enough statement but there is a huge underlying message here. When people say “Trans people are happy, successful people. We aren’t crazy.” they often don’t realize that what they are actually saying by default is “We are just like normal (aka good) people. We aren’t like those crazy (aka bad) people.”

I like to think I’m a pretty happy, well adjusted person who is also reasonably successful. And in addition to that I am bipolar, I have a panic condition with phobias, psychosis, depersonalization, OCD, PTSD, learning disabilities, self-harm, and suicide. I am what people consider to be crazy (and I have listed each condition specifically to fight my own hesitations about talking about it), and yet I’m a functional person who works hard to contribute to society along with millions of others who are “crazy.” Mental conditions and success – or even sanity – are not mutually exclusive. Yes, it can be hard to deal with this shit, and as a result I often don’t mention it. I don’t want people to make assumptions about me. Similarly, sometimes I don’t come out as trans because I don’t want assumptions put on me. But being trans is not a mental health condition, it is one of many points on the spectrum of human existence. With that you may ask “isn’t that also true about mental health conditions?” I would say yes. I can only speak from my own experience. A mental condition may alter my functions or feelings, and it may or may not be a bonus factor in my life, but does not make me any less of a person, or make any “normal” person better or more competant. And while I can’t honestly say this is a great way to be, I can’t say it is a horrible way to be either. Trans identity can correlate to that as well. My mental condition is not a weakness, it is a part of my humanity. My gender is not a disorder, it is a part of my identity.

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