Blog Hop! Midwest GenderQueer, AKA A Naughty Blogger

Well, the holiday seasons are approaching, and I have been a very naughty blogger. Grad school + interning at a labor union + running two organizations + managing a drag troupe/performing + national organizing boards + touring + cats + swing time + taking down the man + looking cute + sleep = one very busy genderfucking femme boy. I’ve needed to officially apologize for my sporadic blogging for months now, but I didn’t want to be one of THOSE bloggers who never updated because their life was too busy. Time for me to pony up, and seeing that I look very much like a My Little Pony, I’m going to pay my dues in a very fabulous way. Last night at drag practice, my twin, who also happens to be my very dear friend and fellow genderqueer performance artist/educator Ignacio Rivera, called me up and said, in so many words, “Hey, I’m doing this Blog Hop thing. You’re gonna do it too.” I aim to please, so here is the closest thing to a blog I’ve been able to write in the past several months (though I do promise I have about 6 drafts waiting to be released upon the world at any given moment). “The Blog Hop,” is a little survey of questions where writers can talk about their work, without having to actually do a lot of work via writing a full blog post. (You’re welcome for my minimal effort which, knowing me, will still be hella long and so not that minimal. So for reals, you’re welcome for this excuse to waste time and avoid your own work).  And for all us folks who are old enough to remember the 90s, this will be very reminiscent of those AOL chain letter surveys that we LOVED because it gave us the opportunity to really express ourselves through listing our current favorite songs and the name of our latest crush. Well, we loved them until they got old… which for me took about a month….

HERE WE GO!

What is the working title of your next book?

Oh, there are several. The big one is something similar to the title of my blog: Midwest GenderQueer, Genderfucked in the Midwest, OR Musings of a Genderfucked Midwesterner (or something like that). I also have two collections of short stories which are usually what I read from when I perform; “Glamboyant” and “Bar Stories.” I also have a partnering adventures collection called “What the Fuck Are You, and Who Are You Doing?”

I have a children’s book series in perpetual draft form that follows a species of critter called the Tradupsi. Their adventures represent the experiences of oppressed trans* communities and their solutions can be aligned to methods of social justice organizing and community building.  The first book is called, “The Tradupsi Went Down the Mountain.”

I also have a couple fiction novels and short stories that I once upon a time started, and sometimes like to revisit for fun. The longest, most extensive one is called “White Horse Dogs.” These book projects are mostly for me, and will likely never be printed or read by anyone.

Where did the idea come from for the book?

The Midwest GenderQueer book, and related collected essays, are coming about because I can’t really avoid it. I have always been big on writing about my experiences and as the passages collect, I figure I’ll need to do something with them.

The Tradupsi series came out of a particularly rough dealing with colleague organizers where the T was not only silent, but completely and outwardly rejected. I wrote the first book as a positive method of venting out the pain and isolation I was feeling as a trans person and how, as an organizer, I felt frustrated and completely unsupported. There is a reason this is a book series… :P<

White Horse Dogs is the combination of several different books which I had been writing since I was about thirteen. When I was nineteen I started to compile the various story lines together into one, organized story. It has no specific inspiration other than bored daydreams. However, it is the book I was writing when I came out, which was not a coincidence. The main characters are two boys, and as the story progressed, the more the lives of these characters blurred into my own sense of self. Working on the book was integral in my process of finding myself.

What genre does your book fall under?

Uh…. genderfuck? What else?

Which actors would you choose to play your characters in a movie rendition?

The Tradupsi series is illustrated in clay, so it would be a claymation movie.  And…yeah, I think that my book would need to be an anime, cause I already look like an anime character and that’d be the most awesome thing ever. Hayao Miyazaki is standing by. OR Christian Bale OMG. How fucking baller would that be? He already knows how to rock out eye make up and a boa.

And maybe this is me being egotistical, but Christian Bale could totally look like the most handsome, sexy version of me ever. Here’s what I would look like after the sweaty, martial arts scene of my movie. Or perhaps I was just in some sort of explosion and the blast blew all my clothes off.

Right??????????????????????????? Now that sounds like a good movie. And if not Christian Bale, we could just hire Ignacio Rivera, cause again, we are twins (seen here with the fab Johnny Blazes while on our GenderQueeries Tour).

What is the one-sentence synopsis of your book?

Furious activist JAC; angsty genderqueer Midwesterner against the world. Now with more candy! – Too dramatic? Well, the one sentence description of my blog is “Queery musings of a genderfucking femme boy” and I think that sums it up pretty well.

Will your book be self-published or represented by an agency?
Who knows!

How long did it take you to write the first draft of your man­u­script?

Well it isn’t finished yet, and with my rate of creative productivity, possibly a billion years. The dino-space martians of the future are gonna love my historical document.

What other books would you compare this to within your genre?

Writing style-wise, it depends on if I am writing something with an activist bent, or something more like prose. Prose stuff, I think, is a little similar to Richard Brautigan “In Watermelon Sugar” meets Camus meets George Elliot… Or at least, I dare to dream, right? Similar themed works (but not really comparable cause duh, these authors are awesome)  would probably be Kate Bornstein‘s “Gender Outlaw”, Scott Turner Schofield‘s “Two Truths and a Lie”, mixed with bitey activist attitudes like what you find in S. Bear Bergman and Mattilda Sycamore Bernstein‘s works.

Who or what inspired you to write this book?

Like I said, I can’t not write about what I’m experiencing, so the inspiration is in my life. Sometimes it is awesome, sometimes it sucks, but for whatever reason I find it is worth writing about. All in all, I would like to give some visibility to an experience I have found that many, many people have: being non-gender normative and trans in a conservative environment with minimal resources and community. It is a lot of people’s story. This particular one just happens to be mine.

What else about your book might pique the reader’s interest?

I have really, really awesome hair. Maybe you think that has nothing to do with the book, but you’re wrong. My hair has to do with everything.

Here are the writers whose work you can check out next:

Well, I have given several shout outs of some favorites already (see above). And while I am able to write, I am not equally skilled at reading. So, the people I’m listing are necessarily “writers,” as they are artists who may also write, but they may do other things too!  I can’t list every activist artist I like, so a short cut is to check out folks on Trans-Genre. Trans Genre is an awesome network of all kinds of artists, activists, musicians, and more who connect their performance to their trans* experience.  It is a “showcase” of amazing folks, founded and run by AJ Bryce.

GenderCast is like an online radio station, talking specifically about gender related news and topics. For all you not-so-good-readers out there, it is a must!

 Kit Yan is a great person, performer, and advocate (especially for youth). He’s recently blown up on the trans* performance radar, which is very exciting. His spoken word ranges from moving, to comical, to down right randy. Definitely a must when exploring trans artistry and activism.

The Lady Miss Vagina Jenkins: a fierce femme activist and burlesque performer. She is savvy, smart, sexy, and everything else that is wonderful. She and I have been friends, and worked together, for years now and she is always in the front when thinking about intersectional work, especially surrounding queer women, femmes, and race issues.

Gina De Vries Femme Dandy GQ activist, writer, and femme extraordinaire. Gina has been published in several queer anthologies and erotica, and has written for some well known queer blogs like the Bilerico Project. She also is a great sex work activist and co-runs a fabulous program series called Girl Talk where trans women and non-trans women get together for spoken word and community.

TransGriot blog, written by trans activist Monica Roberts. Monica Roberts is just as, if not more, no-bullshit about trans stuff in the media than I am. So, obviously, I LOVE everything she writes. She discusses a lot of intersectional topics relevant to our community, often without any sugar coating. She also talks about sports sometimes, a topic I know almost nothing about…

F to eMbodyAthens Boys Choir (Harvey Katz) and Rocco Katastophe‘s collaborative project of music, poetry, and trans* experience. Both Rocco and Katz are awesome folks and very dedicated to supporting the community.

Illdoctrine.com Ok, Jay Smooth isn’t queer to my knowledge. He’s the kind of activist who doesn’t feel the need to talk about it, but I’m pretty sure he is not. Despite this major fail, he is fucking awesome at analyzing cultural and political events with real humor, and real honesty.

Well, there you have it folks. Probably more than you ever needed, or wanted to know about my writing processes and progresses. BUT it is nice to be blogging again! See you in another couple months…. JK! (maybe)

 

Midwest GenderQueer Booking for 2012-2013 Tour!

It’s that time of year again! Summer is over and I’m getting ready to bounce out into the world with lots of activisty presentations, performances, workshops, and more. Maybe this year, I’ll bounce over to you! Visit the Booking Page for more info or reference the ad below. Hope to see you this year!

“Midwest GenderQueer, commonly known as JAC Stringer, is a trans genderqueer activist organizer, writer, and performance artist and he is booking for his 2012-13 tour. Bring him to your school this year!

JAC has lectured and performed across theUSAandCanadawith his work focusing trans, genderqueer, and queer education, social justice, (dis)ability, and trans/queer artistry. JAC is the founding director of The Midwest Trans and Queer Wellness Initiative, is a leading activist in the gender identity disorder removal movement, and is a strong advocate for health care reform, sexual assault awareness, and comprehensive sex education. JAC has founded several projects, is an Advocates for Youth Alum, and is member of several organizing boards including TransOhio, The Philadelphia Transgender Health Conference, The Greater Cincinnati Youth Summit, The International Femme Conference, and The International Drag King Community Extravaganza. As a performer, JAC has done genderbending dance, music, drag, and spoken word as a solo performer, as co-manager of The Black Mondays Drag Troupe, he is a national gender performance showcase producer, and is the founder of the Gender Queeries Tour. JAC is a life-long dancer, poet, musician, and rabble-rouser whose work’s purpose is to generate unity, action, and empowerment and achieve rights and recognition for trans and queer communities through education, art, and other various forms of revolution.

What leading trans activists and performers are saying about Midwest GenderQueer:

 “I’ve had the great good fortune to attend several of JAC’s workshops and lectures. He is a skilled, knowledgeable, and talented teacher who gets complex ideas across to a broad audience with warmth and a terrific sense of humor. Please do yourself a great big favor and bring this high-fashion genderqueer wonder to you as soon as you possibly can.” Kate Bornstein

“JAC Stringer is a charming hurricane of glitter and big ideas, so cute you can’t help listen to the smart things he says (and so smart that you can’t help think about them). A brilliantly accessorized example of how flexible the ways of gender can be, and how tender.” – S. Bear Bergman

Midwest GenderQueer should be known as Super GenderQueer because he’s everywhere, doing just about everything… His work weaves activism, boas, art, glitter, humanity, make-up and the biggest smile that just melts your heart.” – Ignacio Rivera aka Papí_Coxxx

Offering Trainings and Workshops Including:
* Trans & GenderQueer Allyship for students and/or faculty & staff
* Trans-Focused Activism – Policy, Bathrooms, All Gendered Spaces, & Pronouns
* Gender Performance and Drag
* Make Your Own!

Offering Presentations Including:

* Trans & GenderQueer 101
* “You look like a Freak…” Gender and Societal Recognition
* Bending Desire: Sexual Attraction and GenderQueer Identities
* Disorder or Defiance?; Gender Identity “Disorder” and Pathologizing Difference

Offering Performance Art such as:

Spoken word, music, films, dance, and drag – each a poetic romp through Midwest memories, musical flashbacks, body visions, and musings of a genderfucking femme boy.”

 

Back to School; Grudges, People, and Progress

I’ve never been very dedicated to school. As a non-traditional learner with typical ‘atypical’ learning (dis)abilities, I was never very adept at the “learning environment” as it was presented to me. I entered grad school with two primary motivations: hope and desperation.  I was hoping to become better; to become more skilled and learn the things I hadn’t been able to teach myself. I was desperate for more; I wanted to do more to help my community. I wanted  more authority over the systems that ruled over me. I wanted more power, and power comes from getting that paper.

I really don’t like my university; And not just because it is an exemplary representation of the corporate college industrial complex; its sick sports obsession; its gross financial incompetence; or its staunch conservatism. I don’t like it because I’ve got a grudge. It was there I first put faith in my ability to change a system, and was first truly let down. I was used to being rejected by the learning process, but this was the first place I actively decided I would do something – not wanted to it or hoped to; I decided I would change it, no matter what.  Contrary to the stories I flung at administrators, I didn’t work for change out of  school spirit. My activism was aimed more at thwarting the institution’s dynamic, rather than supporting it. The institution pushed back, and hard, until I ended up spending all my time doing activism, not studying. The school was a system I was trapped inside and making resources felt like the only way out. Activism was my education, the classes were auxiliary. When I look back, I’m still amazed I graduated; only took me 6 straight years… And when I was done, I prepared my activist projects for new leaders and I got the hell out. I don’t think I thought I would ever come back, but here I am.

This winter, I attended an open house for the campus’ brand new LGBTQ Center. It was surreal for me to walk into the (exact) space that six years ago, I ignited the (long smoldering) fight to get. I came to the event feeling happy about the space being built, but still angry about my own blood in the bricks. But when I walked in the door, all I felt was nervous relief; a mix of retreating anxiety and seething frustrations. The small program started and I listened to the administrators ramble about how great their work was for this space. I wondered if they were really as delusional as they seemed. Looking them in the face, they didn’t remember me as the frustrated student activist in front of their desk. I was just another student they “helped.” I felt even more disconnected from the institution, and just as jaded about the administration. I listened to the last speaker with low expectations. There was a lot of disappointment in our joint past. Years ago, she was both a hurdle and a step in my work to get a queer center. I felt like she could never see past her desk, though perhaps not from a lack of trying. She always loved to compliment the faculty and staff, forgetting to mention the reason they were all there: the students. In my years as an organizer, it was a huge point of contention between us. I respected her for listening to my complaints; I judged her for not acting on them. When she stood in front of the room, I was shocked to see, through the folds of her papers, the names of student organizations. After all these years, she thanked the students first – in fact it was the only thing she talked about. You could tell she was a little out of her element, but her intention was clear. She was the only speaker that day who mentioned students in any context that was not a direct compliment to themselves. She made a point to show the students had done the work, and I made a point to thank her for that. In the after-program crowd, a dean walked past me. I recognized him as one of the many talking heads I had met as an undergrad; another face behind a desk, saying he wanted to help, but mostly powerless to do anything about it. As he came by me, he smiled and put his hand on my shoulder. “Good to see you again.” he said, “I glad you were hear for this.” I have to admit it. I was shocked. I smiled and shook his hand, but I doubt he knew why I was so glad to do it. I was grateful that someone cared enough to remember me. Sometimes we have to be reminded that administrators are people too. I guess I should know that, considering I was one for a short time. And if working in a college environment (as an activist and again as a professional) taught me anything, it was that administrators are not all suits behind desks; there are ones who really care about the students. Being in front of the desk showed me the red tape; being behind the desk made me feel it. An administrator can be a wrench in the gears, yes, but the machine is the real problem. “Higher Education” “Student Life” is a machine; sometimes it works, sometimes it doesn’t. That day, it worked, in more ways than one.

All of this didn’t sell me on the institution. Call me a judgey mcjudgerface if you like, but it takes more than a couple warm fuzzies to win me over – though it is a good start. And though I wasn’t feeling any strong sense of kinship with the admins, I did sense was a bond with the students. I watched them sitting on the floor, smiling, happy to have their own space; a place where they could feel safe and be themselves. They have a LGBTQ center. It isn’t perfect, and I know I’ll soon decide it still isn’t good enough, but it is there – it exists. When I was in undergrad, that was just about all I wanted… Standing there, seeing the reality that I had only dreamed about, it reminded me of how I used to feel: that passion I felt, and the desperation; how tirelessly I worked, how much it hurt every time I was kicked down, and how much stronger I felt every time I got back up. I was filled by a humbling sense that I played a small part in something bigger. It reminded me of how important campus activism can be, how many people it can reach, and how many lives it can change. It may seem like an organizing “small fish,” but when the pond is a puddle, a small fish is pretty damn big.

A reminder: We are not alone

I was just very pleasantly surprised by a fellow human being. This evening I was very suddenly tossed into a resources search for a local community member in need. I called the local YWCA hotline, but honestly was not expecting much. I started to describe what I was looking for and dropped the word “transgender.” The operator gave a long pause, “Can you say all that again?” I repeated my statement, a little slower this time.  She paused again and, to my amazement, she was able to give me an answer, instead of another question.

I could hear the operator flipping through pages of her referral manual. She said to herself, “I’m just not findin’ what I’m looking for. Seems like there should be something for that ’cause everybody deserves help, no matter what they’re like.”

Her language was all wrong, but her warmth and willingness to help was everything that is right about humanity. I am so grateful for the moments when we, the trans* community, are reminded that we are not alone.

Tranny Talks: Pop Culture’s Ricochet Response to Trans Visibility

You all may know me to be a little on the… aggressive side when it comes to calling media and celebrities out on transphobic ignorance. Recently, I’ve been trying to go the more relaxed route, not because I didn’t crave to throw fits about every slur, but since the gigantic influx of transphobic actions in mainstream, I was getting exhausted. But exhaustion aside, once again I’m saying “I’ve had enough.” What broke the camel’s back this time? Last week on Access Hollywood, former N’Sync star Lance Bass (who does look strikingly similar to a fish) pulled out the “T word,” the growing nomenclature for tranny, and this episode of ignorance says more about transphobia than one word can handle.

(starts at 2:20 minutes – UPDATE the video on the site may be taken down)

What’s so different about Lance Bass from Kelly Osborne or Neil Patrick Harris using the word? Nothing. It’s all the same, and though this event is very similar to Neil Patrick Harris’ usage, I find it much more insulting. In addition to the use of the word, those involved also found it necessary to mock our entire community’s plight against our oppressors. Comedian Billy Eichner, whose talent seems to be primarily based on yelling, comments on how tranny isn’t in fashion anymore, and I would give him props for that, but his statement of “really, really gay” being the replacement kinda ruined it. It is a fascinating scene really, watching three adults giggle like ten year olds who accidentally used a dirty word. And, like any ten year olds, their solution to their misbehavior was to laugh at it and blame someone else for their inability to say it. “Oops! we’ve made a mistake, those people don’t like that word, but who understands those trannies, anyway?!” Thanks, TV personalities, good save. Obviously, your public image is all that matters here, not the fact that you are a oppressive idiots with bad hair (WTF is with hair gel city you’re building over there?). Oh, and PS: Lance, I wouldn’t suggest you attempt to rock purple velvet, you’re not glam enough for it.

Now, all you Lance fans out there may be thinking, “Hey, he apologized! It’s all ok now!” And I appreciate all six of you pointing that out, but it is not all ok. The apology is good to have, but before we accept the apology we have to analyze the mistake, otherwise we can’t learn from it. I think the most interesting, and important, part of this case of transphobia is the exemplary performance of oppressors trying to deal with ignorance. When you watch the clip, listen to the language being used: trans* folks are just “they,” not the transgender community. Why? Well it is because they didn’t even KNOW what else to call us. Hi there, cookie-cutter TV personality lady, did you really just ask “What’s the new word?” It is “A Transgender Person” and Lance, I can see why you all missed the “memo,” the word has only been around for about THIRTY YEARS or in the case of the word Transsexual almost ONE HUNDRED years. But you know, it takes time to learn. it’s not like you’re a member of the “LGBT” community or anything. Oh, wait, you are. I guess you always thought that T stood for Tranny. You do “love a good o’l tranny.”

The exploding use of tranny in mainstream isn’t a coincidence. It is happening because trans* visibility is getting higher, and (consciously or not) non-trans* society is starting to panic. The use of slurs and other public forms of oppression (like political wedge issues) is society trying to deal with our communities’ push for rights and recognition. Pop culture is politics dripping down into the mainstream masses, and that is why it is so dangerous. In the big picture, I guess we should be somewhat excited about it. The growing visibility of tranny is a result of our trans* communities’ sucessful visibility; we’ve gone from being mostly invisible to the hot-topic butt of jokes, and we have been for a couple years now. So, under this idea, all this transphobia on TV could be seen as a ‘growing pain’ for the trans* communities’ arduous climb up the cliff of civil rights. If television had been prominent in the early 20th century, we can be sure that racial slurs would have been all over it. And even though direct, verbal prejudice was lower in TV and movies before and during the civil rights movement, racism itself was very prevalent and it hasn’t gone away yet. It is just lessening  over time as society lazily gets its act together. What has to happen for media to move into a less-oppressive space? First, people start to use the slurs because it is topical; “Haha!  I get the joke! I feel cool because I know who I’m oppressing!” (That is what oppressors think, right?)  Then the accountability starts. All three celebrities (Harris, Osborne, and Bass) have issued public apologies for using the word tranny, and even go as far as to advocate others not to use it. When it comes to public accountability, an education-promoting apology is about as good as it gets. But, and you know there has to be a but, these apologies don’t really make me feel better – they usually just irritate me more. Can we take a look at Lance Bass’ apology? It is full of gender essentialism and stereotypes, including the widely recognized un-PC term transvestite and the wrong body myth. Then, he talks about how it was really ok that he said tranny because he knows trans* people – yeah, rationalization and excuses for why the mistake is ok are awesome elements in any apology. He also pretends to be smart by discussing how people of color and gay people debate about using the n-word and f-word (respectively). It’s “just words,” no big deal, why can’t he use it?  Um, for starters, you’re not fucking trans*, Lance. Your gay card of doesn’t get you in. Despite his claimed “education” from GLAAD, this guy clearly has no clue about the trans* community or our struggles. Many people say I’m being too critical and I should be grateful for a well-meant apology. GLAAD was all too happy to bend over for Neil Patrick Harris’ “heartening” TWO LINE twitter apology, acting like sycophants to fame… Some queers go into activism saying “beggars can’t be choosers.” Well, I’m not begging for my rights, I’m fighting for them. I refuse to take less than what a human being deserves, and we deserve the best. And though these apologies aren’t the best, they are extremely important. Without them Billy No-Talent-Comedian would never of mentioned that tranny wasn’t ok and, despite the insulting follow up, it was acknowledged to be offensive. That is a big first step for society – the awareness that there is another voice. Of course, some celebrities  make zero attempts to be accountable, and unless we keep fighting, that is going to continue to happen for a very long time. Society isn’t going to change on its own, we have to chisel our way in through activist feedback and forced accountability.

I’ve said it once if I’ve said it a million times, that mainstream media, needs to shut the fuck up on trans* issues, but maybe I should rethink that. Maybe I should sit back and enjoy the squirming celebrity mistakes and think of society’s failures as a tool for our revolution. The downside is that while we are waiting for society to get it’s act together, how many people will be misinformed, adding to the mass of oppression and miseducation? And how many trans* folks have to be injured by these oppressions before it enough is enough? The saying goes “You can’t make an omelet without breaking a few eggs.” In that, societal rights and recognition for the future’s trans* people are the omelet, today’s trans* people are the eggs. But I refuse to be broken. The future’s just going to have to learn to make civil rights tofu scrambles.

 

 

No Choice; Where Women’s Studies Got it Wrong

Recently I was asked a question on Tumblr about gender performance theory which stirred an intense awakening of old memories and forgotten aggressions from my early days of coming out. When I came out, I didn’t know anyone gay, queer, or trans* and my only feasible connection to people like me was my campus’ Women’s Studies department. Like many people, my initial coming out was a frustrating, painful, and isolating experience. I desperately wanted answers to why I was the way I was and I thought Women’s Studies would have them. Turns out it didn’t, but it had something else: Judith Butler’s Gender Performance Theory and a dedicated hoard of faculty, students, books, and films telling me that it was my choice to be trans, and it was my fault.

I am a proud feminist. Don’t get me wrong, I have a lot of love for Women’s Studies. All in all, the department served as significant safe space for me and I am grateful. But the good things about Women’s Studies don’t block out the problematic elements ingrained into the origins of gender theory that are continued to be taught today. No, we wouldn’t have Queer Theory if it hadn’t been for the charges of Women’s Studies pushing it into legitimacy, but we wouldn’t have a lot of inner community transphobia either. Know all those sayings about how trans people mutilate themselves and are trying to steal people’s spaces? Yeah, women’s studies theorists wrote that shit too, or have we forgotten second wave feminism and Janice Raymond? Women’s Studies is awesome for a lot of reasons, Gender Performance Theory is not one of them. “Choice” is not always a choice. There have been many points in my life where I have been told I could fix “it” if I made different choices – it was just a matter of wanting it. I could be happy, if I wanted to. I could be healthy if I believed I could. I could do well in school, if I tried harder. If I wanted to, I could be feminine and pretty, and when I came out I was additionally told I could be masculine and tough if I worked at it. If I really wanted to, I could pass as a guy and no one would harass me. If I wanted to, I could stop being trans and just be a lesbian, or better yet be straight. If I wanted to, I could be everything I’m supposed to be, agree with everyone, and fit in just fine. Seems like people assume that I’m a weird, stupid, crazy, trans, queer, genderfucked, failure on purpose. But what does that have to do with Judith Butler? Nothing really, except to point out that this idea that we can and should control and change certain integral elements of our bodies and identities is the center of every “-ism” I know.

Did the Butler intend for gender performance theory to be oppressive? Of course not. “Gender as performance” was one of the women’s empowerment movement’s moves to legitimize gender difference and subversiveness, primarily referencing expression but at the time, gender expression and gender identity were thought to be the same thing. Under this theory, there is no personalized element of gender and that is the main fallacy; It denies is the most human element of gender: identity – the personal. Gender Identity is expressed through visible cues and we figure out what feels right based on our identity and work from that. If our decisions about presentation (or “performance”) are based out of some internal drive to express ourselves, is it really a choice? My femme exists as an embodiment of what I feel, to show the femme I have on the inside. I didn’t choose to be feminine, but I do technically choose to allow myself to express femme. I could force myself to not be feminine, but if I am given the choice to either be myself or to be someone I’m not, I don’t think I actually have a choice. I didn’t come this far to live as someone else. If I was going to do that, I never would have transitioned in the first place.

Gender identity and gender expression are linked to one another, not as a point of causation, but as a series of interactions. The clothes don’t make the human. Sometimes I feel the most masculine when I appear to be the most feminine. I can wear a dress and make it masculine simply by being a male person who is wearing it. I can still be masculine, it is just a different kind of masculinity that, perhaps includes some femininity or is just genderqueered. Or I can make myself more feminine by wearing a dress, and my femininity can be masculine or it can be genderqueered. It’s all about how we conceptualize it, and we must conceptualize it via rejecting cultural definitions of gender. I’m like a broken record, always saying that gender is the key to societal recognition. If you are outside a heteronormative construct of gender expectations you can not be recognized by society as anything but “other” without challenging gendered society itself. I think thatButlerintended this same idea in the original argument of gender performativity – people wanted to challenge gendered society and reject definition by presentation. The problem is that they took the theory too far, enabling it to delegitimize every form of gender expression and identity. A perfect example of this is Femme-phobia. Gender performativity states that if you are feminine, you are choosing to perform it, and according to some branches of feminism, being feminine is supporting the patriarchy that sexualizes women as beauty objects. So femmes are choosing to support the patriarchy. There is no option for someone to like being feminine for the sake of enjoying femininity. This is essentially saying that femininity is bad and that a woman can not be feminine for her own pleasure without being a sell out. It is arguments like these that lead me to believe gender performance theorists were down right delusional. How is that feminist? And speaking of feminism, as I mentioned before, gender performance theories are at the root of second wave feminism’s rampant transphobia. If we are performing gender, then we are choosing to violate our bodies and minds, and taking the rest of society down with us.  We are impostors, perverts, and invaders transitioning out of weakness or selfishness, or both.

I can already picture people getting upset about what I’m saying; I’m being too harsh on gender theories and I need to take them contextually. I don’t think I should have to apply context to any theory that does not apply context to me. If every Women’s Studies classroom was teaching Gender Performance Theory through a critical lens, discussing the complexities of social gender presentation and personal gender identity and expression, then I would have nothing to say about it. But that is not the case, so here I am writing this post. It is not that I don’t see some value in Butler’s original ideas. I think that ‘performance’ can be used to reference gender presentation, but only in certain circumstances. One could say the difference between performing gender presentation and expressing gender identity through presentation is the genuineness of it. A lot of culturally gendered practices and expressions (such as make up, or “macho-ness”) are acts of cultural coercion and therefore ingenuine. I perform gender very consciously sometimes: When I am on the road in the inner Midwest, I almost exclusively try to pass myself off as female because it is safer to be a punked out, possibly lesbian woman than a flamingly queer guy. I will raise my eye brows, raise my voice, smile a lot, and do whatever else we stereotype to be “female” behavior.” It is an act and I use femininity as a tool. On stage, I use visible gender performance in ways that correlate closely to Butler’s Gender Performance Theory. I use gendered elements such as clothing, movement styles, and expressions that are culturally coded as masculine or feminine in order to create a conversation about gender. The cultural binary framework for what is masculine and what is feminine enables me to raise and lower gendered elements, combine them, or erase them. I think this might be how Butler really intended us to think about Gender Trouble and everyone just interpreted it wrong, but I could be just trying to be supportive of a history that I want to support me…

Gender performance isn’t all bull, there are elements to be analyzed, but it can not be done without oppressing gender variant communities unless it is supplemented by the recognition of gender identity and personal gender expression. I think that a lot of people intend to think of gender performance in this way, but because of privilege, they don’t realize that by simply stating ‘gender is performed’ they are being problematic. Let’s be real, if there was a “How to exercise non-trans privilege 101” gender performance theory would be in chapter one. Gender Theory has a lot of updating to do because as it is now it is actively promoting the oppressions it originally set out to demolish. We must destroy the idea that there is one way to be feminine or masculine, and instill the knowledge that there are ways to be both or neither. Once that happens, if it ever does, then performance will really be seen as what is deliberate and chosen, like on a stage, and expression is what is understood and personal, and that the two are not the same. Then, and only then, can we be certain that all the future’s baby genderqueers will go searching for a safe space, searching for answers, and actually find them.

 

Why Almost Everyone is Queer

More than once, and at a growing rate, people ask me about my uses of the words queer and genderqueer, raising concerns that I may be encouraging appropriation of these terms. It is a fascinating topic and I’m always glad to discuss it, but I’ll admit that it pains me a little whenever it is brought up.  Why would anyone not want to share the word queer? Now, you might be thinking “JAC, you know it is not that simple.” And yes, I know it isn’t a simple situation, but is complicated or just complex? Unexpectedly, as a response to a question someone asked me on Tumblr, I formulated a response that does a decent job at encompassing my thoughts on it, but I felt the need to expand on it more.

Queer is a word that, in the most general sense, represents a lack of normalcy and cultural recognition/legitimization – most often directly related to personal sexuality and/or gender identity and expression. When I say “almost everyone is queer”, what I mean is that despite the projected norm, the majority of people have/are non-normative behaviors, expressions, and/or identities. An easy example of this is found in the sexuality research of Kinsey and Kline (whose studies have been repeated globally with the same results). Their research showed that the average person was somewhere on the non-heterosexual (or “queer”) spectrum. Is it considered normal for two people with similar bodies to partner with one another? No. Is it more normal for two people of increasingly different bodies to recognize the legitimacy of variance? No. Gender thickens the plot because there is such an immeasurable variance within gender identities and expressions. Is it normal for someone to identify outside the binary or as something other than what they were assigned at birth? Is that more or less normal than a male assigned at birth, male identified person who really loves to shop, make crafts, and is inclined to cry? Who is less normal? Who is more queer?

Now, even though it is probable that most people are objectively queer in some, that doesn’t mean that they are subjectivelyqueer – and in when speaking about identity, subjectivity is all that matters. No one can define our identity for us. I think that people don’t own queerness either because 1) they don’t feel it applies because of their proximity to normalcy and/or 2) they don’t know it could apply because of our culture’s rigid use of labels and related negative views personal exploration/flexibility of identity. This leads us to the other half of your comment about levels of oppression in experience. You ask if someone can be queer if they haven’t experienced certain oppressions. My question is who defines what oppressive experiences are required to be “queer?” We all experience varying levels of oppression and privileges – some more of one than the other. I think the issue is not whether or not someone is allowed to claim the identity of queer based on experiences of oppression, but whether a person recognizes their own experiences of oppression and privilege based on their identities. If you are appropriating something then you are claiming something that is not yours. Unlike cultural traits/practices or community words like tranny or fag, queer has no real definitive property other than a lack of normalcy (generally applied to gender/sexuality, but not always). Difference is a spectrum that no group or person can exclusively own which means there are an infinite number of ways to be queer. Because of this, I feel that queer is a word that is rarely appropriated. There is no way to decide that someone is not the identity they claim. You can assume they are not, you can even decide they are not based on your own definitions, but that doesn’t change the other person.

I’ll be honest, I am not as saintly as I appear, always welcoming people to come under the queer umbrella. I have hang-ups about what queer “should be” too. To me, being queer is more than having a non-normative sexuality/gender identity or expression; it is also about personal politic. Queer is more than LGBT; it is radical, proactive, and socially just. If someone claims queer but I don’t think they fit the bill, I will totally be a secret Judgey McJudgerface about it but I will challenge myself to be open-minded. To that person, queer may not include personal politic and I have no right to tell them otherwise. Queer is about more than what I think it is, whether I like it or not.

Many people seem feel that if words are more widely used they lose meaning but I think, if anything, it puts more meaning into them. It’s like people are worried that if we aren’t careful, our language will spin out of control and go beyond our reach, but that fear is a little too 2nd wave for my comfort. As long as we use it, own it, educate about it, this language is ours. People will change words to mean varying things because that is what language does; it grows and changes to better fit a growing and changing community.  And yes, that means that some more words may not always be used in the exact same way that applies to you, but community isn’t just about YOU, it’s all about US. Community has an I and a U in it. (It also has an O for OMG he just made a horrible 3rd grade”letter” joke.) No, I don’t want someone to ‘steal’ my communities’ words or misuse our language; some might say I’m pretty damn picky about it. I think that when people appropriate things they should be held accountable. This isn’t about allowing language to be misused, or to become some foreign, meaningless thing. It is about helping it grow into something that is truly useful for our community.  We must be flexible: we must try to understand intentions and recognize privileges to promote the most inclusive and accessible community we can. Sometimes I want, no I need boundaries and safe spaces; somewhere I can go where I know everyone else there will be very similar to me. I want to listen and understand; I want to speak and feel understood. Closed spaces are very valuable, but they are not the only things we need. A community can not be a closed space.

I’ve been repeatedly told that I’m not queer enough, not trans enough, not genderqueer enough, femme enough, not ‘insert identity here’ enough… Someone else can’t define me; that’s my job. Their job is to listen and try to understand and in turn, I must do the same for them. Instituting hierarchies and requirements disempowers others and that is the opposite of what queer is all about. Boundary policing is one of the more significant inter-community oppressions we must overcome in order to obtain our equal rights and recognition in this world. We can not continue to separate each other out of frustrations that one may have it easier than we do. We are all scrambling for limited resources, but legitimacy is not one of them. There is enough for everyone if we are willing to fight for it. So, if someone tells me they are queer, I’ll take it; not just because I can’t prove otherwise (nor would I want to) and not just because there are not enough of us, but also because by using the word “queer” they are saying “I see the need for radical change and I want to be a part of it.” If I meet someone who thinks they might be queer, I will gladly state that queer could be for them what it has been for me; empowerment. I’m not just inclusive, I’m a fucking recruiter. I want as many queers as possible, and that is not just my Midwestern isolation talking. With so many people, even within our own “LGBTQ” community, counting us out, I want to be the one counting people in. That is why I say “most people are queer.” I believe that if you feel different and want a place to call home, if you want change and you are willing to fight for it, then you count. In this movement, if you are here, you’re queer.

Ohio Queer Youth Bullied, Beaten; Who is Fighting Back?

October 17th, in Chillicothe, Ohio a teenage boy was jumped and brutally beaten by his classmates because of his perceived queer sexual orientation. One boy attacked the 15 year old freshman while a second filmed the incident. The video has gone viral, but since I tend to find the promotion of such things without the express consent of those involved to be exploitative and sickening you will not find it on this blog (no matter how ‘moving’ it may be to the audience looking on from the safety of the present). The story didn’t break until a few days ago, and just after it did another attack happened in the central Ohio town of Westerville. We talk about bullying a lot now days, but what do we actually do about it? Facebook blasts, Tumblr reblogs, and attention from national organizations are good for visibility but how can we touch the reality of those who are out in literal fields battling oppression and violence?

Three weeks ago: I cut through the Appalachian hills of my beautiful Ohio. On my way home from a gig, I planned a somewhat impromptu pit stop to visit a dear friend and activist colleague who lived in Chillicothe. I drove into the town, taking in the Fall air and quaint scenery through my open window. I turned the corner toward the small town “Main Street” and was immediately hit with muffled shouts from the street: “What…. pink hair! Fucking gay! …Sick!” Not five minutes later it happened again, this time from a passing truck. It’s the same every time. You feel it in your gut; the panic and fear washes over you leaving behind tough-guy thoughts and extreme hyper-vigilance… you get used to it in that weird way where you never really get used to it. Just the sight of my friend brought me some relief.  I watched her walk down the street without apology, surrounded by overall clad factory workers and towering historic buildings worn from wind and winter. She wasn’t afraid like I was. To her, Chillicothe is her her ancestral home town and her backwoods battlefield. Her fight: to make a safe place to live with her partner, to raise her children, and to foster her community. The two of us are bonded for a lot of reasons, one being that she and I often commiserate with each other about the over all conservative hellishness of where we live… But Cincinnati is one thing, Chillicothe is another.  I listen to her talk about her daughter dealing with a bully (who assaulted her and made continual threats including being calling her a lesbian and a dyke) and how the school’s administration would do nothing to help her. Sound familiar? It should because it is the same cry for help the mother of the boy beaten this past month is voicing, and that of most parents of bullied kids. This is not an isolated problem, and it is not the fault of one child, one school, or one administrator. This is a historical, systematic problem.

I was bullied growing up, but I was lucky. I was lucky that any insult I heard I got over and any fight I was thrown into I ‘won.’ I was lucky that I found a way to survive the hatred of other people as well as the hatred the built up inside myself. Still, here I am as an adult; back in school and I am afraid. I am afraid to walk down the hall by myself, afraid to talk to my classmates about my life, I am afraid to call out others (including professors) when they speak/act in ways that are harmful to me and my people. I am afraid of being physically and emotionally hurt because of something I can not change: Who I am. Imagine what that must be like for a kid; someone with no power, no voice, and no way out. Now days people are coming out younger and younger, but in this world of homophobia and transphobia we think that Glee, Lady Gaga, and Facebook are enough make things right.  And while I appreciate the visibility of national media attention and seeing local organizations posting ONE article on facebook, it isn’t enough.

Yes, I live in a conservative mire full of complacency and incompetency. It is frustrating, and a lot of times I want to give up. Even with that, I was lucky to be born in a city – no not lucky, privileged. I complain about being the “only one” in my city, and while in some ways that may be true, overall I am not alone. My friend in Chillicothe can not say the same thing: she really is the only one. Most of us will never fully understand what it is like to experience the level of isolation, fear, and frustration that rural trans* and queer folks deal with every day. For this reason, I admire and respect my friend more than most people I have met. Standing alone, she keeps fighting. It may sound sad, but to me it is a message of hope. For almost a year she has been trying to found a local LGBTQ group but she could not find a single business or church willing to host it out of fear of “being burned down.” This week she told me that finally the Chillicothe LGBTQ Peer Group is launching (see plug below). This is the example to follow. We must be in our communities fighting, working to building something real  It starts at home, and whether you live in a small town or big city, there are things you can do that influence everyone in your state. The more visibility, support, and education we have the less people will hate us, attack us, and misunderstand us. One person being attacked is too many and one person fighting back is not enough. We need to get off our computers and start talking to one another, talking to our representatives, and talking to our children about how to make the real world better. We need community groups, we need legislation (see Ohio House (155 208) and the Senate (127)), we need it enforced, and we need it now.

If you would like to do more to help Ohio become safer for our communities’ youth, you can sign this petition for Ohio Safe Schools but remember that an online petition is not enough. We must make phone calls, write letters, and lobby directly in the offices of those who are supposed to be our voice in government.

 

For Resources and Support:
Chillicothe LGBTQ Peer Group
1st and 3rd Thursdays of Every Month from 7 to 9pm,
Fellowship Hall of Orchard Hill United Church of Christ, 105 N. Courtland Dr.
*The Chillicothe LGBTQ Peer Group is a secular (nonreligious) peer led support group for lesbian, gay, bisexual, trans*, and queer identified individuals to discuss their experiences living in the Chillicothe and surrounding areas, to share resources, and to create a greater sense of community and support for all.  For more information contact us at LGBTQ45601@gmail.com.

Day of Action: Stop Medical Oppression of Trans* Communities

I’ll be the first to admit that I have high standards. A cupcake shop recently opened up in my city, and I finally got to stop by. I took a bite and got a wash of disappointment from the flavorless, cake-mix mound in my hands. I knew it seemed silly to be so upset over a cupcake, but if I’m going to spend $2.50 on a cupcake, it better be a fucking awesome cupcake. If I’m going to spend time, energy, and money on something, it better be worth it. Same goes with life, if someone is going to try to give something to me, I’ll only take it if it is worth taking; if I’m going to live my life, I’m going to make it worth living.

Trans* gets dressed up a lot now days, from Chaz Bono to TV characters, the public is becoming more and more interested in our community, one way or another. And as conversations about trans* identities grow, what isn’t being said is one of the most important issues we face; the fact that around the world trans* and gender variant people are considered to be mentally ill. We are told we have Gender Identity Disorders (GID), a disempowering system that promotes the continual stigmitization of mental health variance and the pathologization of difference. The result is a continual lack of access, safety, education, and inclusion on a global scale. After 30 years a growing outcry from trans* and non -trans* communities have pushed medical and social organizations to slowly, but surely, denounce GID. Last month the World Professional Association for Transgender Health (WPATH) relaxed the Standards of Care for trans patients in an attempt to minimize pathologization and increase access; a significant change but not a solution.  In 2012, the global psychiatric community plans to maintain trans* people’s place in the list of mental health conditions through a revised version of GID called Gender Dysphoria (or Gender Incongruence -see also GD in Children) and an even more problematic version of  Transvestic Disorder. WPATH quotes these changes as “a step in the right direction” but to me, and for many others, a step in the right direction is not enough movement. At this point, we are beyond taking steps. We are ready for a jump. I know what you’re thinking – we can’t just jump in unprepared, and I agree. The truth is that we are prepared. We have been working internationally to create policies to medicalize care and provide regulation, accessibility, and safety for a new age of trans* health.

This is about more than health care; This is an issue about quality of life; about respect, justice, and humanity. It is about the fact that trans* people are not allowed to be ourselves without the consent of someone else. We recognize ‘my body, my choice’ in terms of reproductive rights, but it is not only there that the phrase is relevant.  I know that members of the medical and psychological community mean well, but just as good intentions don’t make a delicious cupcake, they also are not capable of keeping me safe or labeling me sane. I have many mental health conditions, my trans identity is not one of them. I have high standards, and I refuse to be treated less than because my identity is not considered “normal.” If society gives me something that I’m not satisfied with, I have the right to ask for my (metaphorical) money back. Today, October 22nd, is an international day of action to Stop Trans* Pathologization. If you have never talked about trans* pathologization before, start today. Tell your friends, your partner(s), your family; ask your physicians if they support accessible health care for trans* people, educate yourself and others on the need for change. This shackle on the trans* community influences us all. Stand up with us.

Stop Trans Pathologization 2011 (English) from Stop Trans Pathologization on Vimeo.